Dec 302012
 
Dawn — Somewhere Out West…

Airplane window shots are problematic.  You’re typically shooting through three layers of glass and plastic.  Some of those surfaces are probably dirty.  Most of the surfaces are reflecting the other surfaces — and also whatever is in the airplane cabin, including your camera.

But there you are above dawn just breaking “somewhere out west”.  A full moon.  You have to give it a try.

Somewhere Out West -- Dawn from the air.

Somewhere Out West — Dawn from the air.

I shot this with a Panasonic DMC-TS3 which, thoughfully, has an “Aerial Photo” scene mode.  Holding the camera upside down for some shots to position the lens.  The real work is in post processing.  Noise reduction with Noiseware.  Curves, contrast and brightness in Photoshop.  Graduated ND filter effect with NIK Color Efex Pro.  Color balance back in PhotoShop.  A sharpness pass with NIK Sharpener Pro.  Final “save for web” in PhotoShop.  The two control points were the moon (keep it from turning into a solid white orb) and the terrain faces near the front edges of the engine nacelles (keep the details and sharpness of line).

P.S. Another reason, on coast-to-coast daylight flights, for picking a window on the right side westbound and on the left side eastbound.

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Sep 072012
 
Krakow

Krakow remains the cultural and historical magnet for visitors to Poland.

If you do the Poland Trifecta (Gdansk, Warsaw, and Krakow) it is a good place to end your trip, and four days isn’t too long.  Granted, you might run into groups of British men doing one of those trips (the sight of a Ryan Air jet at the airport can be ominous) and, according to my hotel manager, the Norwegians are coming in with empty suitcases and hitting the Galeria Krakowska in droves.

Krakow, however, is not living in the past.  If you spend too much time in the city center, you might overlook that this is a regional commercial center.  And like other cities that are looking to the future, it is also trying to figure out ways to move people around without destroying the city.  The picture below shows bicycle and pedestrian traffic control.  Bikes use the lane to the left, with pedestrians to the right.  There are signs marking the dual use, and even crosswalks marked where there are pedestrians crossing — such as at this dual bike/pedestrian on/off-ramp.

Auschwitz/Birkenau

If you visit Auschwitz, chances are you’ll base in Krakow.  As I mentioned a few posts earlier, avoid taking an organized tour if at all possible — especially something like the combined salt mines/death camp tours. If you arrive before 10:oo am during the peak season you can visit Auschwitz without a guide — 10:00 am to 3:00 pm requires a guide.  But to arrive early complicates your transportation since it is over an hour by by public bus and therefore an expensive cab ride.  (Birkenau (Auschwitz II) does not require guides at any time.)

There is some discussion on whether it better to view this kind of site in the context of the specific events that took place — The Holocaust — or in the context of other genocides, pogroms, etc.  In the end, it is your decision what you want to take away with you.

Another issue is the deterioration at the sites.  One the one hand, you’d almost like so see it dissolve into rust and rot — be gone forever.  But the worry is that people will forget — and many (most?) have no idea the scope and scale of the Holocaust.  But these rails and ties just show some of the more obvious deterioration.  Time will tell what kind of balance is struck.

Warsaw

Still the industrial and commercial engine for Poland…All the more amazing when you consider the extent of German destruction. The city continues to build and change.  This display on the observation tower at the Uprising Museum is supposed to show buildings that are still standing from the WWII era (the darker shapes).  However, the some of the newer buildings on the display have since been replaced by even newer buildings.

The sights in Warsaw are farther apart than in Krakow and if you spend time touring, you’ll probably be wise to do your explorations in sectors.  If you spend more than a couple of days, it might be a good idea to learn the tram system — though they can be packed during commuting hours.

Taxi Ride to the Airport

A short distance from the hotel the driver gestured to the right with his head.  “Souvenir of Stalin”.  He was referring to the Palace of Culture and Science.

He asked if I minded the radio, which was playing Polish songs.  I didn’t mind.  We chatted a little and as we got close to the airport I heard a song:

Kayah and Bregovic: “Prawy Do Lewego (From Your Right to Your Left)”

Then I’m saying “That lady — the singer.  That’s, uh, uh — Kayah!”

“Kayah.  Yes.”

“Kayah and Bregovic.  Right?”

He was genuinely surprised that I knew.

He turned up the volume.  We were both tapping our fingers and quietly whistling along.

It was a nice way to end the trip.

Links for this trip…
Krakow

Cracow-Life:  http://www.cracow-life.com/

Krakow Info:  http://www.krakow-info.com/

Historical Museum of Kraków:  http://mhk.pl/

St Mary’s Basilica (in Polish):  http://www.mariacki.com/

Wawel Royal Cathedral:  http://www.katedra-wawelska.pl/english

Hotel Floryan:  http://www.floryan.com.pl/en/index.php

Auschwitz/Birkenau

Auschwitz (Official Site):  http://en.auschwitz.org/m/

Excellent BBC Interactive Map of Auschwitz:
http://www.bbc.co.uk/history/interactive/animations/auschwitz_map/index_embed.shtml

Warsaw

Warsaw-Life:  http://www.warsaw-life.com/

Warsaw Rising Museum:  http://www.1944.pl/en/

The Royal Castle in Warsaw:  http://www.zamek-krolewski.pl/?page=1114

National Museum in Warsaw Information:  http://www.mnw.art.pl/index.php/pl/english

Polish Army Museum (in Polish):  http://www.muzeumwp.pl/

Hotel Mercure Warsaw Grand:
http://www.accorhotels.com/gb/hotel-3384-mercure-warszawa-grand/index.shtml

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Sep 062012
 
Polish Army Museum

Located next door (actually the same building) to National Museum, Warsaw, exhibits include a lot of artillery, vehicles, and aircraft stored outside; and a range of arms, armor, and uniforms through the centuries.  Particular emphasis is placed on the Polish Army during WWII and on artifacts from the over 21,000 Polish prisoners (Army officers captured during the 1939 Soviet invasion of Poland, police officers, and intelligentsia – “intelligence agents, gendarmes, landowners, saboteurs, factory owners, lawyers, officials and priests.”) murdered by orders of Stalin in 1940.  It was recently decided to relocate the museum to new facilities in the Citadel, north of Old Town.

Polish Winged Hussar — A major factor in the victory of the Polish forces over the Turks at Vienna, 1683. There is some discussion as to whether the wings were actually worn in battle — of even if the cavalryman could stay mounted on the horse while wearing those wings.

When I first glanced at the sign I thought it was warning against wing-walking on jet fighter aircraft…

The Royal Castle

Up Ulica Nowy Świat (a main shopping and historic boulevard) from the National Museum is Castle Square, the Royal Castle, and Old Town.

Zygmunt’s Column is a meeting spot for Warsaw residents and visitors, and the Castle Square is the location for festivities and official ceremonies.

Zygmunt’s Column, with the original sections, blown up by the Germans in reprisal for the 1944 Rising, in the foreground.

The Royal Castle was painstakingly rebuilt starting in 1970.  After the rubble was cleared following the German’s destruction, it was a cleared area that Poles could see every day for 27 years.  The reconstruction was based on exhaustive research, bits and pieces of the original building salvaged from the original, photographs, and paintings, etc.  The wooden floors are spectacular, with every important room having a different pattern.

Doors of the Church of the Gracious Mother of God (Kościół Matki Bożej Łaskawej)

Located midway between the Market Square and the Royal Castle, the church is adjacent the St. John’s Cathedral.  The doors are by Polish sculptor Igor Mitoraj, who also made the famous partial head that is installed in front of the British Museum, London.

The dates over the door are “1604 – 1944 – 1970″

The Old Town Market Square

Detail of a corner burgher house on the Market Square.

In the Market Square, probably the most famous, and most photographed, fighting mermaid.

Classic Fighting Mermaid pose.

When the mermaid gets hungry…Kabobs?

Warsaw Skyline Panoramic

Taken from a tower overlooking Castle Square.  Almost anything you can see was reconstructed after the Germans leveled Warsaw.  It is estimated that over 150,000 civilians were killed in the Rising and following, and around 550,000 people were expelled.

(Right click on picture and “View Image”.)

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Sep 052012
 
The Palace of Culture and Science

Warsaw’s Palace of Culture and Science.

A relic of the years of Soviet domination, there are a lot of varying opinions about this building.  Some would like to tear it down, but it still has useful facilities.  And what would you put in its place (and who would pay for it)?

The Warsaw Uprising Museum

The museum’s opening was in 2004 — timed for the 60th anniversary of the Warsaw Rising.  While it might be said to have an advantage by only having to present a relatively short span of time — the 66 days of the Rising and a few days preceding it — it does that in a comprehensive, innovative, and thoughtful manner.

Not to be missed is a 3D video that simulates a fly-over of a devastated Warsaw after the German’s pounded much of the city into rubble.

One feature are the desk calendar pages that are on the walls next to exhibits.

“Calendar” pages near exhibits — one for each day of the Rising.

There is a page for each day.  Each page shows (in Polish only) the date and other information for the day including sunrise, sunset, and the maximum temperature.  It also tells what happened in Warsaw that day.  As you go through the museum you can take the calendar pages — eventually totaling 71.

In many exhibits, such as the one below, there are taped interviews with those who fought.  If the exhibit is about light machine guns, there is a video interview with a man describing the Bren gun he actually used.  (All of those interviews are subtitled in English.)

An exhibit of weapons used in the Rising.

 

The “Kotwica” — Symbol of the Polish secret state and the Armia Krajowa (Home Army, or AK).

A pleasant surprise is this coffee shop.  I had to do a double take to make sure it wasn’t an exhibit.  It is themed for the time period of the Rising and there is also a contemporary area outside on a balcony.

Themed coffee shop in the museum.

On the wall near the coffee shop is this bottle of Cinzano…

“Jozef Wrobel and his Home Army friends decide on May 9, 1945, to save a prewar bottle of Cinzano wine until the day Poland regains her independence and the last foreign soldiers her soil.”

A friend once said that you have to be one heck of a city to have a mermaid with a sword and and shield as your symbol.

Warsaw’s Fighting Mermaid.

View of the museum’s observation tower from the Rose Garden — on the back side of the Memorial Wall.

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Sep 032012
 

I seem to be having a hard time finding sunshine here in Krakow.  However, for a trip to Auschwitz and Birkenau, a bright sunny day might be a bit too incongruous.

Auschwitz

The main gate at Auschwitz — from the inside.

Below is one of the early attempts to deal with the remains of murdered persons.  One pair of a total of four ovens at Auschwitz.  The turntable on the floor allows operators to pull ashes out of an oven, turn the cart 180 degrees, and the push the cart over an ash pit to be dumped.  This particular setup was abandoned as more efficient equipment was developed to handle the mass of murdered people.

Early ovens at Auschwitz.

 Birkenau (Auschwitz II)

The other iconic gateway.

The rail gate to Birkenau.

A railway wagon of the type used to transport to Birkenau for work or to be killed.  This is the place seen in many photos showing people being taken off the trains and, in many cases, immediately sorted and taken to the gas chambers.

Railway goods wagon of the type used to transport people to Birkenau.

Electrified fence line.

On the Birkenau site, opposite from the railway gate, are the remains of gas chambers and crematoria — destroyed by the SS at the Soviets advanced westward.  A picture of the structure is on the sign to the left.

Gas chamber and crematorium destroyed as Soviet forces drew closer.

The memorial, opposite the camp from the railway gate.  The group in the center are Israeli students.  The government of Israel sends thousands of students every year to tour the death camps.  This practice is considered controversial by some.  The students are accompanied throughout their visit to Poland by Israeli security guards (I counted at least 4 with this group).

Israeli students at the memorial.

Inside one of the wooden barracks.  These were designed as stables for the German Army — to house 52 horses.  They held up to 400 prisoners.

Inside a wooden barrack.

Israeli students light candles in one of the brick barracks.

Visiting Auschwitz and Birkenau

Many people take an organized tour, but I’d recommend avoiding them.  You can do all the research you need online, and I don’t think Auschwitz and Birkenau are best absorbed when you are part of a herd.  Also, during the peak tourist months, you can only enter Auschwitz I between the hours of 10:00 am and 3:00 pm as part of an organized tour– due to the crush of visitors.  There are no such restrictions at Birkenau.

My recommendation is to take a bus from the Krakow bus terminal (right next door to the main Krakow train station).  Get a bus that will get you to the museum no later than 11:00 – 11:30.  Then take the free shuttle to Birkenau (Auschwitz II).  You likely find it very quiet.  Take your time and then take any of the shuttles back to Auschwitz that leave Birkenau after 2:45 pm.  You will have managed is to avoid the surge of tours that starts at Auschwitz, then goes to Birkenau, and then home.

Panoramic Photo of Birkenau

A 360-degree view taken midway between the railway gate and the memorial.  (Right click on photo and then select “View Image”.)

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Sep 032012
 
Birkenau Panoramics

These are panoramics — each roughly 180- degrees — from Birkenau (Auschwitz II) and provide some sense of the expanse of this Death Camp.  They were taken from the midpoint of the path between the famous main gate and the memorial — at the spot where the first life-or-death sorting of news arrivals occurred.

After you select a photo, enlarge it on your screen so that it is fairly high (about 100%) and then pan right and left.

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Sep 022012
 

So I step out of the hotel a little before noon and there is a crowd lining both sides of the ul. Florianska (the street which carries the “Royal Way” into the city and to the Market Square).  The event?  How about a dachshund parade?

Dachshund Parade down ul. Florianska.

On up to Wawel Hill, home of the Wawel Castle and the Wawel Cathedral.

Wawel Cathedral

Passage from Wawel Castle towards the Cathedral.

After Wawel Hill a walk along the Wisla, and a crossing over a pedestrian/cyclist bridge, Love Padlocks (or Love Locks) — and a newlywed couple.

Newlyweds and Love Padlocks on a pedestrian bridge over the Wisla.

The Pharmacy Under the Eagle (Apteka Pod Orłem).  Operated by Tadeusz Pankiewicz, a Roman Catholic, the pharmacy was started in 1910 by his father, and served both Gentiles and Jews in Krakow’s Podgórze district.  The district was turned into a Jewish Ghetto by the Germans in March 1941.  Pankiewicz remained on the premise despite the offer by the Germans to relocate him across the river.

Pharmacy Under the Eagle (Apteka Pod Orłem), taken from Plac Bohaterów Ghetta.

The pharmacy became a hub for a range of activities attempting to support, ease suffering, and to save Jews from transport to death camps.  In 1983 Pankiewicz was recognized as a “Righteous Among the Nations” for his works.

Walking back, I pass a long line…

A line for ice cream.

The clue is a little brown sign below a red sign on the left of this picture:  “LODY” (ice cream).  I have no idea what makes this shop so popular, but ice cream shops and small storefronts are a feature in Poland — at least in the larger cities.

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Sep 012012
 

A dreary day in Krakow, with clouds and occasional rain — Just like the forecast.  But inside it didn’t matter — especially for a couple of Krakow’s highlights.

A dreary day in Krakow — From the Cloth Hall towards St. Mary’s.

Nowe Sukiennice/National Museum in Krakow, Gallery of 19th Century Polish Art in Sukiennice

For the first time in four visits to Krakow, the improvements in the Market Square are completed.  The renovations to the Sukienice took place between 2006 and 2010, and a whole new museum dedicated to the centuries of Krakowian history, was built under the square in an area roughly covered by the left half of the photo above.

About half of the “Chełmoński Room: Realism, Polish Impressionism, Beginnings of Symbolism.”

Some of the paintings I liked:

Four-In-Hand, Jozef Chelmonski, 1881

Powerful imagery of horses racing across a barren landscape…One of the Museum’s signature pieces, it is a big painting, as you can tell from the objects to each side.

Four-In-Hand

A Meeting on a Bridge, Jozef Brandt, 1886

A Meeting on a Bridge

Christmas Eve in Siberia, Jacek Malczwewski, 1892

Christmas Eve in Siberia

School of Talmudists, Samuel Hirzenberg, 1887

School of Talmudists

Saint Mary’s Basilica, and the Veit Stoss Altar

Occupying a corner of the Market Square from the end of the 13th Century, St. Mary’s shares major landmark duties with the Cloth Hall, as well as being a functioning house of worship.  What draws visitors is the High Altar, carved by Bavarian Veit Stoss (Wit Stwosz) between 1477 and 1489.  Opened, it is about 13 meters high and 11 wide.  When the wings are closed, there are 12 scenes of Mary’s suffering.   At the start of WWII it was taken apart by the Poles, crated, and hidden around the country.  The Germans discovered it, and sent the altar to the basement of Nuremberg Castle.  It was repatriated in 1846 and restoration was completed in 1957.

The walls of the presbytery are lined with painted and gilded relief sculptures, and the ceiling is painted blue with golden stars.  Wall paintings by Jan Matejko and windows by Stanislaw Wyspianski and Jozef Mehoffer.

 

View along the side of the Presbytery towards the High Altar.

The main panels of the Veit Stoss High Altar.

The Presbytery from altar to ceiling.

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Feb 262012
 

A Saturday visit to two centers of art in Washington, DC.

The Phillips Collection

My favorite art museum in DC, this is the place to take visitors from out-of-town.  Located about a block from the DuPont Metro Station (at 21st and Q NW), Duncan Phillips started the collection in the family residence in 1918, and opened it to the public in 1921.

The most famous painting in the collection is Renoir’s “Luncheon of the Boating Party”.  People really love this painting, and for good reason.

Luncheon of the Boating Party (Renoir)

Leica M9 w/Zeiss 18mm f/4 lens; ISO 800; 1/25 sec.

A detail of the ceiling and mantlepiece in the Music Room.

In the Music Room

Leica M9 w/Zeiss 21mm f/2.8 lens; ISO 1600; 1/15 sec.

The gallery rooms in the original residence are intimate and calming.  They stress that the furniture in the rooms is intended to be used, and these galleries are nice places to relax.

Gallery room in the original residence.

Leica M9 w/Zeiss 21mm f/2.8 lens; ISO 400; 1/30 sec.

Staircase in the Sant Building, looking out onto the courtyard.  This used to be an apartment building, and a complete interior rebuild was completed in 2006.  It added additional gallery space, an auditorium, a library, classroom, and workshop space.

Staircase in the Sant Building.

Leica M9 w/Zeiss 18mm f/4 lens; ISO 800; 1/500 sec.

National Gallery of Art, East Building

Part of the immense Calder mobile (untitled) completed just before he died.  It weighs about 1,000 pounds but moves subtly in the air light currents inside the building.

Paintings and Calder Mobile

Leica M9 w/Voigtlander 90mm f/3.5 lens; ISO 800; 1/90 sec.

On the main floor with Ellsworth Kelly’s “Color Panels for a Large Wall” in the background.

Main Floor of East Building

Leica M9 w/Voigtlander 15mm f/4 lens; ISO 400; 1/30 sec.

Painting, viewed from above.

Leica M9 w/Zeiss 25mm f/2.8 lens; ISO 400; 1/25 sec.

“Multiverse”, by Leo Villareal, is a light sculpture that lives alongside the underground moving walkways between the East Building and the cage/museum shop at the east footing of the West Building.  This shot looked awful in the Leica’s monitor, but it actually “cleans up pretty good” in the computer.  I need to go back and try a few more shots.

Leo Villareal's "Multiverse"

Leica M9 w/Zeiss 25mm f/2.8 lens; ISO 1600; 1/30 sec.

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Feb 122012
 

One from the Northcoast (Redwood Coast) of California

A friend just made a trip through this area, and that gave me an excuse to look around the archives a little…

This picture was taken in December, 2004 along US 101 between Eureka and Crescent City — just south of Wilson Creek.

Near Wilson Creek, along US 101

This was shot on color film with a Voigtlander rangefinder and scanned.  The color image was very flat so I used Nik Software Silver Efex Pro to render the image in B&W simulating Fuji Neopan 1600 film with a green filter.

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Jan 282012
 

Taking a break on the drive from Charleston, WV.

There are several routes between home and the Charleston area.  The shortest, 329 miles and (according to Google) 6 hours non-stop, passes by Seneca Rocks.  It’s roughly half way so it makes a nice break in the drive.

The rocks are a quartzite formation that almost looks like a blade slicing up through the surrounding countryside.  The current satellite view on Google Maps shows this well.

Seneca Rocks

Seneca Rocks and the North Branch of the South Fork of the Potomac River

On the way home last Friday I stopped and spent about 1 1/2 hours just walking around.  It was a pretty dreary day so I was shooting with the hope of coming up with a decent black & white shot, as well as some close-up shots of whatever else caught my attention.

For Distant Viewing

In 1943 and 1944 Seneca Rocks was a training area for the 10th Mountain Division.

Base of the Telescope

The Sites Homestead was established in the early 19th Century.  The log cabin that forms the basis for this house was built around 1839.  It was expanded in the 1870s and remained in the Sites family until the Forest Service acquired it in 1968.  Quite a view when you step out the front door in the morning.

The Sites Homestead

Chimney and Window, Sites Homestead

Barrel, Sites Homestead

If your GPS can’t find Seneca Rocks, the coordinates of the road intersection (US 22, WV 55, & WV 28) are 38.834576, -79.376246.  The entrance to the Discovery Center is a few hundred yards to the south.  The Seneca Rocks Discovery Center is closed until Spring, but you can park on the lower parking area.

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Dec 302011
 
Musée d’Orsay, October 2009

One of several big clocks at the Orsay (a former train station), this one is over the entrance.

Clock at Musée d’Orsay

I rediscovered this picture while looking back in my files for images relating to the Orsay’s new photo policy.  This was shot in 2009.  The museum now believes that allowing normal people to  produce images such as is too disruptive, probably not dignified, and ultimately harms the museum.

The camera was a Leica M8, and the lens was the incredibly sharp Zeiss 25mm f/2.8.  Shot at ISO 320 and 1/45 second exposure.

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Dec 112011
 

Lincoln Memorial, May 2008

I stumbled across this picture while working on another project.

Not traditional composition and framing, which is why I like it.

Lincoln

It was shot with a Leica M8 and a Voigtlander 90mm lens.  The image is very low key, with no startling whites or deep blacks.  Typical for an M8 image, the DNG (RAW) file required very little post processing.

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Nov 272011
 

27 November 2011 — Last Day

Cité Metro Station

This is an interesting piece of engineering.  These photos were taken inside what is essentially a big underground steel tank that the tracks pass through.  The station serves Île de la Cité – the island where Notre Dame Cathedral is located.

Cité Metro Station

Another view of the Cité Metro Station, with a train arriving

Notre Dame Cathedral

Notre Dame Cathedral

Notre Dame Cathedral

Mass at Notre Dame Cathedral

Looking towards the organ

Around Île de la Cité

"Love Locks" on the Port Archeveche Bridge

An American group performs on the St. Louis Bridge

Looking into the chamber at the Mémorial des Martyrs de la Déportation -- in memory of over 200,000 people deported from France by the Nazis.

A last view of Notre Dame Cathedral and Île de la Cité

[All photos in this posting taken with a Fujifilm X10 camera.]

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Nov 262011
 

26 November 2011 — Musee Rodin

A return to this gem of a museum and grounds.

The Hotel Biron is the centerpiece, housing almost 300 pieces of art from Rodin’s collection — including a trio of Van Goghs.

Hotel Biron and the grounds (Fujifilm X100)

On the grounds (Fujifilm X100)

Detail of "Pierre de Wissant Naked Figure" (Fujifilm X10)

Outside looking in... (Fujifilm X100)

...And inside looking out. "Paolo and Francesca in the Clouds" (Fujifilm X10)

Two busts of "The Man with the Broken Nose" (Fujifilm X10)

Statue merges with visitors (Fujifilm X100)

Self portrait -- lower right corner of the mirror. (Fujifilm X100)

Outside, a tradition of leaving the admission stickers on posts and poles.

The Louvre

Almost too big.

Ascent to the "Winged Victory of Samothrace" (Fujifilm X100)

The mob in front of the Mona Lisa (Fujifilm X10)

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Nov 242011
 
24 November 2011

Actually arrived on the 23rd, but arrival days are recovery days.  Of note from the arriving flight:  (1) The White Cliffs of Dover really are white in the morning sunlight (sorry, but no picture), and (2) that ugly green de-icing stuff (from Toronto) sticks.

Green De-Icing Goop…

First Stop was the Musee d’Orsay.  One of my favorite museums, but recently saddled with a rather unfortunate “No Photography” policy. This is baffling.  I’m not convinced that the museum management is in touch with visitors and the 21st century — and how visitors interact with museums these days.

There are a few places where it seems to be tolerated, most notably behind one of the two big clocks that face the Seine.

Photos at one of the d’Orsay’s clocks

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Nov 122011
 

A Favorite Spot for Shooting

I go out to the Smithsonian’s Air and Space Museum near Dulles Airport to test new cameras and lenses.  It is a challenging venue, and if things go wrong, they go wrong in a very noticeable way.   From the overhead walkway, this particular location always draws me.

Vantage Point

I like the open space, gray concrete, shadows, the pieces of “museum stuff”, and seeing what people are doing.

The camera being tested is the Fujifilm X10 — which hit the dealer shelves on Tuesday.  This shot was made as an EXR JPEG (EXR’s SN mode, for you Fuji geeks) with only a little bit of Noise Ninja in post-processing.  Everything else was done in the camera: 1/35 sec., f/2.5, ISO 640.  EXR makes all the selections once you decide which of three modes you will use.

The intelligence in cameras is getting a bit scary…The X10 produced a very nice image with almost no input from me.

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Sep 062011
 

Earlier from Philadelphia…

The previous posting has pictures from a recent trip to Philadelphia.  That reminded me of a shot taken in 2004 (I believe) early one morning from a hotel room window…Hand-held, pressed against the window for steadiness

I’m not sure how good a picture it really is, but I’ve always liked the “atmospherics”.  This how it feels to be in a strange room in a strange city early in the morning.

Early Morning in Philadelphia

This was shot with a Leica M6, using a 35mm f/2.5 Cosina/Voigtlander lens on Ilford chromogenic B&W film and scanned.

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Aug 272011
 

Evening Walkabout With the Fuji X100

Attending a conference earlier this week a couple of blocks from the river game me a chance to do a little walking around with the Fuji X100.  The X100 imposes one significant restriction; it has a fixed focal length lens.  No zoom, so you have to compose by thinking through things a little more, and moving the camera (an yourself) instead of zooming the lens (or changing lenses).  That said, the camera’s large sensor and good low-light characteristics give the photographer more technical capacity to work with.

USS Olympia and USS Becuna:  To say that the cruiser  Olympia is iconic is a bit of an understatement.  Commodore Dewey’s flagship at the Battle of Manila Bay, Olympia also transported the remains of America’s Unknown Soldier from France to the United States in 1921.  The fate of Olympia is uncertain, and the ship may be moved, sunk for a reef, or scrapped.  Keeping old ships afloat is very expensive and requires period dry-dockings which may run into the millions of dollars.  Dry berthing, now being studied for the battleship USS Texas, is initially expensive, but may be the only practical way to save these very old hulls.

Becuna is a late WWII submarine which made five war patrols.  Becuna was decommissioned in 1969.

The cruiser USS Olympia and submarine USS Becuna

USS New Jersey:  Berthed across the Delaware River in Camden, New Jersey as a museum, this ship is an Iowa class battleship, the final class of battleship completed by the US Navy.  New Jersey was laid down in 1940 and commissioned in 1943, the second of six ships of her class, four of which were completed.  New Jersey was decommissioned for the final time in 1991.

USS New Jersey, framed by the restaurant/club ship Moshulu

I like the swans and the color…

Swan boats and kayaks

Local guys fishing near the observation tower. USS Olympia and Philadelphia in the background.

Fishing

There’s just something incongruous about these swan boats watching over an old warship through the night.  Or maybe it’s the other way around.

Swan boats and USS Olympia at night

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